Movie Trivia

The scene in which the band appears in a sauna, clad only in towels, is an allusion to the cover photo on the 1973 Blood Sweat & Tears music album "No Sweat", in which the BST band appears in a sauna in identical pose. Lou Marini and Tom Malone, two of the Blues Brothers Band members, were also in BST and appear in both sauna scenes.

Elwood removes his hat three times in the film: when going to sleep in his room, to break the window to get into the Palace Hotel, and towards the end of the movie when the Bluesmobile falls apart. His sunglasses are never removed. Jake removes his sunglasses once, when he is talking to Carrie Fisher, but never removes his hat. In the DVD and cable versions, Elwood doesn't wear sunglasses when he quits his job.

Director Trademark: [John Landis] [ipanema] the music in the elevator.

Director Trademark: [John Landis] [SYNW] the message on the billboard that the cops were hiding behind.

Singer/guitarist Joe Walsh can be seen during the "Jailhouse Rock" sequence at the end. He still had long hair and a long mustache at the time and is the first prisoner to jump up on a table and start dancing.

At the end, after the Universal Studios logo is shown, there is an ad for Universal Studios in Hollywood. Below "When in Hollywood, visit Universal Studios", it says "Ask For Babs". The same appeared in Animal House (1978) (Babs is the Animal House character Babs Jensen), and it reappeared in Blues Brothers 2000 (1998) underneath a new Universal Studios Hollywood logo at the end of that movie.

Graffiti on the bridge the Blues Brothers hide their car under during the show reads, "John *heart* Deborah." This is a reference to director John Landis and his wife, costume designer Deborah Nadoolman.

Before the falling-Pinto scene could be filmed, the filmmakers had to get an "Air UN-worthyness certificate" from the Federal Aviation Administration for the Pinto. This was done by conducting preliminary drop tests to ensure that it would not behave as an airfoil and drift from its target line, but would drop "like a brick" when dropped from a great height.

The exteriors and many interiors at Daley Center were shot on location, including the shot of the Bluesmobile plowing through the courthouse lobby. In a 1998 interview for Universal, John Landis credited mob help for getting permission from the Cook County Board of Commissioners for this (alluding to the Board being mob-controlled at that time).

Every time we see the window in Elwood's apartment a train goes past.

At time of release, this film held the world record for the number of cars crashed.

Director Trademark: [John Landis] [filmmakers] Appearances by directors Frank Oz and Steven Spielberg.

The infamous "Bluesmobile" is a 1974 Dodge Monaco. The vehicles used in the film were used police cars purchased from the California Highway Patrol (mocked up to look like Mt. Prospect, Illinois patrol cars), and featured the "cop tires, cop suspension and cop motor - a 440 cubic-inch plant" mentioned by Elwood in the film. A total of 12 Bluesmobiles were used in the movie, including one that was built just so it could fall apart. Several replicas have been built by collectors, but one original is known to exist, and is owned by the brother-in-law of Dan Aykroyd.

Elwood's fake address at Wrigley Field (1060 West Addison) is used on the receipt they get for paying the $5000.

The receipt that is stamped by the tax assessor clerk (played by 'Stephen Spielberg'), is #6829, dated August 9, 1979, and correctly reflects that $5000 cash for St. Helen of the Blessed Shroud Orphanage was received from "Jake & Elwood Blues" with an address of 1060 West Addison, Chicago. The receipt is signed "R. J. Daley"--a reference to Mayor Richard J. Daley for which the plaza they drove through (with the Picasso sculpture) was named.

Paul Shaffer, who had played with the Blues Brothers during their live shows in the 1970s, was supposed to be the band's keyboardist but Lorne Michaels, having already lost his two biggest stars to this movie, would not let Shaffer out of his "Saturday Night Live" (1975) contract.

Carrie Fisher guest-hosted the SNL episode the Blues Brothers debuted in.

The t-shirt Matt Murphy wears is from Uncle Tom's Tavern in Stone Mountain Georgia. The place was famous for its rowdy fights. It has been closed for many years now.

Producers rented the Dixie Square Mall in south suburban Harvey, Illinois for the mall chase scenes. The mall had been closed for over a year. (False) rumors begin in the community the mall is being refurbishing and will be reopened after filming in complete. Universal is later sued for over $87,500 for failure to make good on a deal to "return the mall to it's original condition" which was never agreed upon. After years of political wrangling, the mall was finally demolished in March 2006.

Elwood's Drivers license number is #B263-1655-2187 Elwood had 116 outstanding warrants for parking and 56 for moving violations. This can be seen when Trooper Mount and Trooper Daniel ran his D/L history when he was first pulled over.

In the new DVD version of the film, there are several added scenes. Elwood appears in one (sans sunglasses!) to tell his boss that he needs to quit because he wishes to become a priest.

During the making of the movie, one of the actors (un-named) drove the "Blues Mobile" 100 miles West on Interstate 80, to the city of Spring Valley, Illinois. He was promptly arrested for no registration (the plate was a prop), and no valid drivers license. With a telephone call, the set director was more concerned with the return of the vehicle than with the return of his actor.

The interior for the Blues Brothers' concert was the Hollywood Palladium. Audience members were recruited through radio station promotion. The exterior was Chicago's South Shore Country Club, locate at 7059 South Shore Dr. Chicago, Ill., which was later purchased by the city and reopened as the South Shore Cultural Center.

The scene where the bluesmobile is driving at 115 MPH on Wells and Wacker Drive is real. The film crew received permission to clear the street for two 100 MPH+ passes. Stunt pedestrians were added after the first pass to add realism.

The bridge that the Illinois Nazis drive off of during the car chase was in downtown Milwaukee. It was a ramp as part of an interchange that had not been fully developed. Later that ramp was torn down and replaced.

Lobbying from the Italian-American community ensured that the line "The Mafia's out there" was re-dubbed to "The Mob's out there" when the Blues Brothers was shown on television.

During filming, John Belushi apparently got drunk, went to a stranger's house, asked if he could have a glass of milk and a sandwich and then crashed on their couch for a couple of hours before the cast and crew found him.

Colleen Camp's playboy poster, also featured in Apocalypse Now (1979), is hanging on the wall of Elwood's apartment.

Murphy Dunne is the son of the then-president of the Cook County Board, George Dunne, who helped convince then-mayor Jane Byrne to allow filming at the Daley Center.

When recording the soundtrack for the movie, Cab Calloway was needed to record his hit "Minnie the Moocher" in better quality than his original album. When he came into the studios he was prepared to do his new disco version that was just released. Of course, the film makers wanted nothing to do with this and asked for the original version, which Calloway reluctantly gave them. When Cab Calloway asks the band if they knew the song Minnie The Moocher, Murphy Dunne answers, "I knew a hooker once named Minnie Mazola" to which Calloway replies, "no the SONG Minnie The Moocher"

Elwood's license number, B263-1655-2187, unfortunately isn't for someone by the name of Elwood Blues. By dissecting the license number, you can find out information about the holder. Birthdate: July 1st 1952 (Dan Aykroyd's birthday). Gender: Male. First Initial: D. Middle Initial: E. Last Name: Starts with a B, followed by a guttural or sibilant (C, G, J, K, Q, S, X, or Z), followed by a short liquid (R), followed by a dental (D or T). The driver's license number turns out to be what Dan Aykroyd's license number would be, if he had obtained an Illinois license, simply substituting the leading 'A' with the 'B' for "Blues"; thus the number shown in the film is a "hybrid" and is an invalid Illinois number. The book "Blues Brothers: Private" by Judith Jacklin (Judith Belushi-Pisano) gives Elwood's birthday as December 6, 1953. Therefore, Elwood's driver's license number should have been B420-2105-3347.

During the filming of the opening scene, security guards of the prison fired shots at the helicopter filming the overhead shots, thinking that the helicopter was attempting to spy on the structure.

Director Cameo: [John Landis] the state trooper driving the second car, the one that shows up after the first car calls for backup, that chases the Bluesmobile through the shopping mall.

After the concert, the state troopers chase the Blues Brothers back to Chicago. The scene where several state trooper cars crash off the highway embankment was filmed at the Rt. 12 overpass in Wauconda, IL. They had trouble getting the cars to flip over when they went down the embankment, so they dug a hole into the embankment to help the cars flip over as they hit it.

In the public restroom where The Good Old Boys' front man discovers the graffiti/advertisement for the Blues Brothers show at the Palace Hotel, the name Rick Baker can be seen written in red to the right of the illustration of Jake & Elwood. Rick Baker was the makeup and effects artist for director John Landis's first feature film, Schlock (1973). Following the Blues Brothers, Landis called on Baker's talents once again for the film An American Werewolf in London (1981).

The ship going under the drawbridge at the beginning of the movie is the Joseph H. Frantz.

The boat going under the bridge that Jake and Elwood jump at the beginning of the film is the W.W. Holloway. She was originally launched in 1906, laid up on Dec 7, 1981 and scrapped in 1986. In the movie she is wearing the paint scheme of Oglebay-Norton, the last shipping company to operate her.

The version of "Minnie the Moocher", a song about a homeless prostitute, that Cab Calloway sings in the movie is slightly different than his original recordings in the 1930's. The difference is in the final lyric. In the movie it's "She had a dream about the King of Sweden/He gave her things that she was needing/A home of gold and steel/A diamond car with platinum wheels." In the early recordings, the lyric is "She hung around with a bloke named Smokey/She loved him though he was tokey (or cokey)/He took her down to Chinatown/And taught her how to kick the gong around." (A reference to smoking dope). This final lyric does not appear in the film, but is included on the full version of the song on the movie's soundtrack album.

In a scene restored to the DVD release, Elwood parks the Bluesmobile in a tiny Chicago Transit Authority storage shed underneath a bank of transformers for the CTA trains. Dan Aykroyd had written this as part of an elaborate scene showing the Bluesmobile being "charged up" by the transformers to explain how the car could perform its impossible stunts. Director John Landis discarded the complicated explanations, saying, "It's just a magic car!"

Some of the performers were not used to lip-syncing to their pre-recorded songs - the standard procedure for movie musicals. James Brown ended up singing his number live with a recorded backing (the rest of his choir was lip-syncing). John Lee Hooker's performance of "Boom Boom" was recorded live at Chicago's Maxwell Street Market. Aretha Franklin's performance is cut together from many, many takes, using the parts where her lip-syncing was actually in sync.

The Soul Food Cafe, where Aretha Franklin sings, was Nate's Deli on Chicago's famed Maxwell Street. It is now a parking lot.

Just before the Blues Mobile crashes through the Toys-R-Us, a man asks if they have a "Miss Piggy," while holding up a a stuffed Grover toy. This is a nod to the cameo appearance by Frank Oz, the man who provides both Muppets' voices.

When Cab Calloway originally recorded 'Minnie The Moocher' in the 1930's the chorus lyric is simply 'Ho-dee-hody' rather than the lengthened 'Hody-hody-hody ho'. In an interview Calloway explained the change as one time when he was singing the song he suddenly once forgot the words, so he immediately shouted 'Hody-Hody-Hody-ho!' and carried on the song that way. It achieved a larger appreciation that way than the original, so he sang it that way since.