One tall, cool drink of water, the beautiful, curvaceous, mole-lipped Anne Francis got into show business quite early in life. She was born Anne Lloyd Francis on September 16, 1930, in Ossining, New York (which is near Sing Sing prison), the only child of Phillip, a businessman/salesman, and Edith Francis. A natural little beauty, she became a John Robert Powers model at age 6(!) and swiftly moved into radio soap work and TV in New York. By 11, she was making her stage debut on Broadway playing the child version of Gertrude Lawrence in the star's 1941 hit vehicle "Lady in the Dark". During this productive time, she attended New York's Professional Children's School. MGM put the lovely, blue-eyed, wavy-blonde hopeful under contract during the post-war WWII years. While Anne appeared in a couple of obscure bobbysoxer bits, nothing much came of it. Frustrated at the standard cheesecake treatment she was receiving in Hollywood, the serious-minded actress trekked back to New York where she appeared to good notice on TV's "Golden Age" drama and found some summer stock work on the sly ("My Sister Eileen"). Discovered and signed by 20th Century-Fox's Darryl F. Zanuck after playing a seductive, child-bearing juvenile delinquent in the low budget film So Young So Bad (1950), Anne soon starred in a number of promising ingénue roles, including Elopement (1951), Lydia Bailey (1952) and Dreamboat (1952) but she still couldn't seem to rise above the starlet typecast. At MGM, she found promising leading lady work in a few noteworthy 1950s classics: Bad Day at Black Rock (1955); Blackboard Jungle (1955); and the sci-fi cult classic Forbidden Planet (1956). While co-starring with Hollywood's hunkiest best, including Paul Newman, Dale Robertson, Glenn Ford and Cornel Wilde, her roles still emphasized more her glam appeal than her acting capabilities. In the 1960s, Anne began refocusing strongly on the smaller screen, finding a comfortable niche on 60s series TV. She found a most appreciative audience in two classic "Twilight Zone" (1959) episodes and then as a self-sufficient, Emma Peel-like detective in Aaron Spelling's short-lived cult series "Honey West" (1965), where she combined glamour and a sexy veneer with judo throws, karate chops and trendy fashions. The role earned her a Golden Globe and Emmy nomination. The actress returned to films only on occasion, the most controversial being Funny Girl (1968), in which her co-starring role as Barbra Streisand's pal was heartlessly reduced to a glorified cameo. Her gratuitous co-star parts opposite some of filmdom's top comics' in their lesser vehicles -- Jerry Lewis' Hook, Line and Sinker (1969) and Don Knotts' The Love God? (1969) -- did little to show off her talents or upgrade her career. For the next couple of decades, Anne remained a welcome and steadfast presence in a slew of TV-movies (The Intruders (1970) (TV), Haunts of the Very Rich (1972) (TV), Little Mo (1978) (TV), A Masterpiece of Murder (1986) (TV)), usually providing colorful, wisecracking support. For such a promising start and with such amazing stamina and longevity, the girl with the sexy beauty mark probably deserved better. Yet in reflection, her output, especially in her character years, has been strong and varied, and her realistic take on the whole Hollywood industry quite balanced. Twice divorced with one daughter from her second marriage, Anne adopted (as a single mother) a girl back in 1970 in California. She has long been involved with a metaphysical-based church, channeling her own thoughts and feelings into the inspirational 1982 book "Voices from Home: An Inner Journey". Lately, she has spent more time off-camera and involved in such charitable programs as "Direct Relief", "Angel View" and the "Desert AIDS Project", among others. Her health declined sharply in the final years. Diagnosed with lung cancer in 2007, the actress sadly died on January 2, 2011, from complications of pancreatic cancer in a Santa Barbara (California) retirement home.